September 27, 2009


“What do you mean, you wouldn’t do the show?”

“How could I do the show knowing you just died in a plane crash, only two months after 9-11?”

“Because it’s would be my dying wish, that’s how.”

“Dad. Seriously. You’ve got to be kidding.”

“Don’t worry. I’ll be there. I wouldn’t miss it.”

His debut at the Comedy Store was the same night and I wanted to be there for him.

I left Columbus airport around 8:30am, headed to L.A. During the quick layover in Detroit, I learned about a plane that crashed leaving New York. Adam heard about a crash, but with no details, freaked out for a few minutes. That’s when we had the above “what if” conversation.

Once I arrived, we quickly cleaned up and hit the road, equipment in tow. He had to roll in all of his gear and set it off to the side while others performed. He was next to last in the line-up. Eddie Griffin would close the evening, testing some new material. Time flew by and it seemed that in an instant, Adam was up. With help from friends, he and I quickly rolled the two large racks with 2, 27-inch TVs in each, and the necessary electronics, onto the tiny stage – a stage designed for a single person telling jokes. Adam had all the connections completed and was ready to go within three minutes.

At that time, the Comedy Store had three different performance areas. The large room was used for well-known acts. The room I’ll call the “medium” room was for up-and-comers or big names that wanted to work out some new material before they “go live” in a large venue. And upstairs, was a very small area I assumed was the “beginner’s” stage.

In the large room that night, was a fundraiser for the victims of the 9-11 attack. It was nearly packed. Adam was performing in the “medium” room, which was full. No one was performing upstairs, to my knowledge.

After a brief introduction, the lights went dark, except for one spotlight. “Adam and the Trinitrons” (now the “Egos”) came to life in music and dialogue. All five characters performed simultaneously to a stunned audience that had never seen anything like it. Less than three minutes into the show, the crowd was hooked, and for the next twenty-seven minutes, mesmerized. Throughout the performance, I noticed more people coming into the room.


There were no available seats, so they lined the walls, two deep in some areas. By the time the show was over, those seated were on their feet, applauding wildly and screaming praises. Adam brought down the house. The large room had emptied and as many as humanly possible squeezed into the “medium” room to watch. It was like nothing I’d ever witnessed. I know there was a brief moment when I was in tears.

I flashed back to all the work he had put into this concept: the hours of frustration rendering video on PCs not designed for these types of projects; the electronic failures and the technicians that said it couldn’t be done without doing this or having that; the people who wanted a ridiculous amount of money to do the video work – which ultimately forced Adam to learn how to do it and do it better; the early performances in front of Columbus audiences, many of whom – with the exception of family and friends – weren’t impressed, because they just didn’t get it; and yes, the occasional disagreements with Dad.


All was forgotten for one night – November 12, 2001.


Exactly eight years – to the day – another milestone in the life of “Adam and the Egos” will come to pass. On November 12, 2009, Adam will be recording a pilot for Comedy Central in L.A. It will feature all five “Egos” performing simultaneously, in front of a live audience, with cameras capturing everything.


This has never been done before in the history of live television.

I wouldn’t miss it.






PS – I should probably mention: Adam plays ALL of the characters in his show.

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