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THIS WAS IT

November 17, 2009

I lead a “safe” life.

Even when I was playing music for a living, I approached it like a small business owner – fiscally conservative, watching expenses, creating my own marketing, pricing my show competitively, not taking gigs for next-to-nothing just to be performing – a financially dangerous precedent you learn quickly not to set. I performed in places that I knew liked my style of music, going to the same venues every one or two months, seldom taking chances with “new” audiences. It was steady, weekly employment that yielded decent results for nearly 40 years – an accomplishment few musicians have experienced.

Adam has taken the chances I never took when I was in the entertainment business. He’s pushed himself way beyond his comfort zone, instinctively knowing it’s what he had to do to succeed at a high level. He moved across the country to follow a dream, undeterred by naysayers. As he continued to hit brick wall after brick wall, facing rejection year after year, he did not alter his path. He stayed with it, always creating, always trying new approaches and ultimately, moving forward with every step – regardless of what it looked like to others.

This is why I don’t exhibit pride for Adam’s successes – I have nothing to do with them. To say that I am happy for him is a HUGE understatement, but I am not the boastful “proud parent.” He knows how I feel, and that’s all that matters to me.

Now comes November 12, 2009.

 

I arrived in LA the day before, around 11:00am. Adam picked me up and we went straight back to the house. His friend from Columbus, Marty, had arrived yesterday. There were technical glitches to work out: a loud audio “hum” and a laptop that had to be incorporated into the show for the pre-recorded segments. By the time 11:00pm rolled around, he was ready for the first run-through of the entire show.

We never finished a complete run-through. Everyone was exhausted. We finally hit the sack about 12:30am – a 22+ hour day for me.

Adam was up and re-editing parts of the show long before I got my “six.” He was soon ready to pack everything and get going – still not having rehearsed the show in its entirety.

We had to make two trips to the Hudson Theatre to get all of the equipment to the venue.

Once there, we set everything up and the audio hum we thought we had reduced was back, in spades.

Along with the wonderful stage crew at the Hudson, we spent well over an hour trying to isolate the problem, concluding it was in the PC being used to project the four videos for the TVs.

Finally, Paul Stein, the Artistic Director for Comedy Central, brought the speakers from the PC in his office and connected them to the video PC, greatly reducing the hum. After throwing a microphone in front of the speakers, the hum was insignificant enough not to affect the show.

 

It was time to write down the cues for sound and lighting – a technical run-through. This was not a complete run-through, i.e. “dress rehearsal,” start-to-finish, as Adam had hoped. Shortly after the lighting and sound cues were established, cameras and cameramen arrived. Because we were running behind schedule, and to Adam’s dismay, the crew was told to take a break for dinner.

He would have to rehearse on his own.

Somehow, it all came together. The background music faded away and the room went dark. The big screen came to life with the intro.

 

A few minutes later, Adam is live, introducing the Egos.

 

Laughs came quickly, even in places where no one expected them. The applause was abundant throughout the show. And then, almost as fast as it started, it was over. It was the fastest 31 minutes I’d ever witnessed.

Adam probably presented the most unique comedy show the attending TV executives had ever seen. (This is my opinion, experience and knowledge speaking – not pride.)

It was so good that he did not have to say anything to convince them it could be a half hour weekly TV show. He simply performed and let his show speak for itself.

And it did!

Jim Sharp, Comedy Central’s Senior Vice President for Original Programming and Development (West Coast) spoke with Adam immediately after the show and said he could “…absolutely see it as a TV show…” on Comedy Central. He then said what every creator/entertainer wants to hear – “Call me next week” – as opposed to “We’ll call you.”

Josh Lieberman, a manager at 3 Arts Entertainment (a production company with a huge list of shows to their credit) joined Jim with kudos for Adam, saying the characters Adam created were very “…real…” and “…well-acted.”

 

It doesn’t get any better than that.

After taking the equipment home, we went out for a bite. Adam was receiving texts of praise from those who were either there or had heard about the outcome.

 

I sent e-mails back home saying I would call in the morning.

The next day, we returned equipment and Marty returned to Columbus. It was time to decompress. We made calls and returned texts and e-mails.

Mentally reviewing the conversation with Jim Sharp and Josh Lieberman from the night before, Adam could not think of any way the next conversation could go other than in a positive direction – whatever that might be. (I’m not one to speculate.)

We watched the nail-biting OSU v Iowa game on Saturday, in 1080p high definition, sitting eight feet away from a ten foot screen. (Now THAT’S the way you watch a football game!)

On the flight home Sunday, I realized how blessed I am to have been included in such a pivitol moment in Adam’s life. He won’t know how pivitol for a short while.

Congratulations, Adam.

In my opinion, this was it!

Sincerely,

www.MichaelKontras.com

Here’s the show’s intro.

Here’s some miscellaneous videos tied together with Adam and I playing Beatles’ Rockband for the background music.

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